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| Wild
Spring (1992) |
| (1w
2m) |
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| SYNOPSIS |
GERTIE, a forty-four year old
actress at the peak of her career, befriends SAM, aged nineteen.
He believes he can only ever be a black car park attendant,
she believes she can be more useful than a mere actress. Each
tries to argue the other out of the fond images they have
of themselves. Fifteen years later, GERTIE'S career is in
crisis. She's in love - unrequited - with KENNEDY, the younger
black company manager who believes he's an 'artist' but who
in fact is a born entrepreneur. The play explores acting as
a metaphor for the false images of ourselves with which we
fall in love. |
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| EXCERPT |
| "'Just
acting'. Are you aware, Mr Phillips, that society normally uses the
name of our profession as a term of abuse? 'Oh ignore her, she's just
acting!' Are you aware, Mr Phillips, that every night I go out there
in front of an audience and pretend to be who I am not? Are you aware,
Mr Phillips, that if I did that in public life I'd be shunned, vilified,
called a humbug, a fraud, a sham, a fake, a liar? But up there, made-up,
lights bright, someone else's words of wit and brilliance, I can dissemble
to my heart's content, it's acceptable, no one gives a toss. What
is despised in a person off stage I am deceiving an audience to praise
on stage. And the more convincingly I deceive the more they praise." |
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| This
play was world premiered in Tokyo, and has been running for three
years in Budapest where the actress won a prestigious prize for
her performance.
The two men need not be black but can be any kind of ethnic outsider. |
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