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| Four
Portraits - of Mothers (1982) |
| (Four
to ten fifteen minute vignettes) |
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| SYNOPSIS |
RUTH - woman as unmarried
mother
NAOMI - woman as mother who never was
MIRIAM - woman as failed mother
DEBORAH - woman as mother earth
In France and elsewhere they have been performed with Yardsale
using
STEPHANIE - woman as abandoned mother. |
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| EXCERPT |
| Me a prisoner?
Never! Those poor men, tied to their jobs, tied to their hours, caught
in a rush to a top they'll never reach in a thousand years - they're
the prisoners, they're the slaves! But not me! I enjoy the freedom
of my home too much
Yes, I have three of them, and if it wasn't
so tiring and costly and boring to be married to a woman who was always
fat and pregnant I'd have a dozen of them! Love them! Everything about
them. I loved carrying them, giving birth to them, suckling them.
I loved changing their smelly nappies, washing their smelly bums with
smelly oils, powdering their fat bodies with smelly powders - all
of it! Every smelly second of it! It's what I always wanted to do,
what I still want to do, and what I'm supremely equipped to do. So
just let anyone dare bully me into thinking it's me who's the prisoner. |
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| Second play in a cycle of six one woman
plays. Written for a festival in japan of one-act plays on the subject
of 'the mother'. |
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Note
Four Portraits - of Mothers with Yardsale ('Portraits - meres') won
the £10,000 Georges Bresson prize in Sete, France 1992. |
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